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No. 3 (2023)
No. 3 (2023)
DOI:
https://doi.org/10.30857/2617-0272.2023.3
Published:
2023-12-12
Articles
MORPHOLOGY AND SIGNIFICATION OF GELE EPHEMERAL ART
Toyin Emmanuel Akinde
11-23
PDF
RESEARCH ON MUSEUM CULTURAL AND CREATIVE PRODUCT FROM THE PERSPECTIVE OF NARRATIVE DESIGN AND ATMOSPHERIC AESTHETICS
Y. JIANG , K. L. PASHKEVYCH
24-34
PDF
MODERN TRENDS IN INTELLIGENT CHATBOT DIGITAL VISUAL IMAGE
N. MA, R. KHYNEVYCH
35-44
PDF
DESIGN OF CULTURAL AND CREATIVE PRODUCTS IN ANKANG REGION FROM THE PERSPECTIVE OF REGIONAL CULTURE
W. QIANG, K. L. PASHKEVYCH
45-56
PDF
ANALYSIS OF FURNITURE DESIGN FOR GROWING CHILDREN BASED ON PHYSIOLOGICAL CHANGES IN CHILDREN
X. WEN, K. L. PASHKEVYCH
57-67
PDF
FEATURES OF CONTEMPORARY CHINESE STYLE IN DIGITAL FASHION DESIGN: CASES OF FASHION INDUSTRY PRODUCTS
S. WU, O. V. YEZHOVA
68-78
PDF
INNOVATIVE APPLICATION OF TRADITIONAL BAMBOO WEAVING IN MODERN FURNITURE DESIGN
Z. YU, K. L. PASHKEVYCH
79-91
PDF
IMPACT OF DIGITAL ART ON DESIGN OF ONLINE MUSEUM: USER-CENTERED DESIGN, NARRATIVE DESIGN, AND INTEGRATION OF TECHNOLOGY
J. ZHAO, O. YEZHOVA
92-100
PDF
UPCYCLING AND MINIMALISM AS FASHION TRENDS OF SUSTAINABLE CONSUMPTION OF FASHION PRODUCTS
O. D. GERASYMENKO, N. V. CHUPRINA, I. V. DAVYDENKO, I. M. CHUBOTINA, V. K. KHOMENKO, M. A. KUDREVSKY
101-120
PDF (Українська)
FASHION PRESENTATIONS IN THE SPACE OF WAR DESTRUCTIONS: ETHICS AND AESTHETICS OF PARADOXICALITY
R. KVASNYTSIA
121-129
PDF (Українська)
FORMATION IN CLOTHING DESIGN: HISTORICAL RECONSTRUCTION AND MODERN COMPOSITION SOLUTIONS OF CORSETS AND CRINOLINES
H. V. KOKORINA, I. V. DAVIDENKO, I. M. CHUBOTINA, O. D. GERASYMENKO
130-141
PDF (Українська)
STYLE OF CONTEMPORARY JEWELRY AS A CREATIVE SOURCE
I. O. PRYKHODKO-KONONENKO, E. V. POLEVSKA, L. M. HANUSHCHAK-EFIMENKO
142-152
PDF (Українська)
THE REVIVAL OF TRADITIONAL TECHNIQUES AND METHODS IN THE CONTEMPORARY DESIGN OF JADE PRODUCTS IN CHINA
Z. TANG, K. L. PASHKEVYCH
153-163
PDF (Українська)
FASHION IN UKRAINIAN WOMEN'S PRESS OF NORTH AMERICA IN THE 50'S – 60'S: THE PHENOMENON OF "EMBROIDERY PARTIES"
L. TSYMBALA
177-190
PDF (Українська)
THE POET AND NATURE: CHRONOTOPE TARAS SHEVCHENKO IN THE ART OF ODESA 1960s. European context
A. A. TARASENKO, O. A. TARASENKO, В. Ю. СІКОРСЬКА
164-176
PDF (Українська)
FLORAL COMPOSITION IN CHINESE FINE ART OF THE QING ERA (1644–1912)
Zhe ZHANG
191-206
PDF (Українська)
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