THE ANTIQUITY AND THE RENAISSANCE CANONS AS THE BASIS OF THE TECTONIC STRUCTURE OF THE CLASSICAL SUIT
Keywords:canon, costume, tectonics, classical style
AbstractTo analyze the artistic and aesthetic principles and categories of the antiquity and Renaissance art, which influenced the structure formation and form of the classical suit, symbolic and functional significance in the process of its evolution. Interdisciplinary methods of research (historical and historical-typological, comparative analysis, observation), methods of art analysis (descriptive, iconographic, method of formal analysis), method of the structural analysis of the suit form are used.
Results. The main philosophical aspects of the subject work and the components of the artistic and expressive means embodied in the objects of the antiquity and the Renaissance material culture
have been theoretically worked out and summarized, the basic principles of their embodiment in the structure of the classical suit
have been determined. Scientific novelty: the stage of the classic suit
form evolution is highlighted as a complex, multifaceted phenomenon in the context of the European and world fashion development; featured the specific of the suit tectonic basis origin, which
eventually got the name of the classic.
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How to Cite
Кротова, Т. Ф. (2018). THE ANTIQUITY AND THE RENAISSANCE CANONS AS THE BASIS OF THE TECTONIC STRUCTURE OF THE CLASSICAL SUIT. Art and Design, (1), 83–94. https://doi.org/10.30857/2617-0272.2018.1.8